Archive for the ‘tense’ Category

I Make Stuff Up

Tuesday, July 27th, 2010

I’ve had a week of furious typing, post-its, scribbling in pencil and… filling in forms. With the arrival of a new person into the world comes a whole host of forms needed to prove the poor blighter’s existence to the government / NHS / my landlord. He doesn’t even have a real pair of shoes yet (we have been remiss in this, but I’ve a novel to finish and in this house if you don’t walk, you don’t get shoes) and yet we’ve had to jump through all kinds of hoops to get him a birth certificate, registered with a doctor, alert the fine people at HMRC to his existence and justify my own continuing existence to a health visitor. All activities that are accompanied by forms, questions and questionnaires.

I’m a grumpy get at the best of times (you hadn’t noticed?) but PLEASE, when I’m working to a deadline, on much less sleep than I’d like and have a bit of a 1000 piece Disney jigsaw puzzle stuck to my hair with vomited breast-milk (he’s been easy on the crap, this past few days) DON’T look at me like I’m a deluded, sorry fantasist in need of intervention when you ask me what I do for a living for your bloody FORM and I answer honestly. Think of how many books there are in the world. Someone’s got to write them, haven’t they?

My favourite quiz of the week is the one they use to check if you’re depressed or not. Tick boxes. Do you feel like harming yourself and / or others a) never b) sometimes c) on a near constant basis. I answer C, and clarify that this isn’t a post-partum thing, but is how I always feel, especially when asked invasive questions by someone I’ve never met before who invited themselves around to my house and sneered at me when I told them what I do for a living, (really? That’s nice. And what did you do for a job?.) then followed it up by asking me what my husband thought of it… (very little, I should imagine).

I’m not going to tell these people I’m a writer any more. I’m going to say I’m a detective, a spy, a magician. I’m a consultant escapologist. I’m a private eye. I’m Columbo’s wife. I’m Mrs Hudson, Sherlock Holmes’ landlady. I’m Harriet the Spy. I’m a cross between Nancy Drew and Nana Mouskouri. I make stuff up. I type very fast in two hour bursts, sometimes at night, sometimes holding the baby, sometimes while eating breakfast.

Here’s an ambivalent review of A Kind of Intimacy from L-Magazine, ‘New York City’s Local Event and Arts And Culture Guide.’

Glamour + Competition

Friday, February 20th, 2009

I have ‘pulled myself together’.

I’m dealing with the facial disfigurement by growing a beard. It’s all going to be fine.

I’m shopping too. I’m going to be signing books soon, so I thought I’d buy a new nib for my fountain pen. And some ink. Shopping for bottles of ink is always really fun. It isn’t like buying shoes.

I do it online. It would be so much better if there were a shop, dimly lit, with rows and rows of little glass bottles lined up like medicine in an old fashioned chemist’s.

Here is the page of possible ink colours.

I wanted an ink to co-ordinate with the cover of the book. Because I am feeble and shallow. I can worry for a long time about the exact right colour, and what kind of message scented ink will say about me, and whether I will smudge the ink on the inside of the cover, and all kinds of other, similarly feeble things.

It is called displacement and projection and substitute anxiety.

The first person who guesses which colour I chose can have a free copy of the novel, posted to them when I get my box of author copies, which should be soon. Put your guess as a comment. When my ink arrives in the post, I will post a picture so you know, despite my occupation and reputation, I am not lying.

Impractical Criticism

Tuesday, September 25th, 2007

Feedburner says I have ten readers. According to the graph that is the most readers I have ever had. Thank you, it is very nice. Gratifying for my hot-air balloon ego.

Dear ten readers (would it insult you if I imagined you, for tonight, clapping your little plastic hands?), this is a bit of what I have been up to this evening:

After everything that is about to happen to her had already happened Rose will decide that it started with a girl riding a bicycle. A blonde girl, a pink bike, a white basket and a silver bell. She wasn’t there to see these details and his description had been smothered by his irritation about something else. A girl, he’d said, on a bike, and he’d had to swerve. The side of the van had caught a garden wall, paint shearing off onto the brick. A dent. It wasn’t serious. The insurance would cover it.

Rose will turn it over like a boiled sweet in her mouth and the details will divide like bacteria until his story is a living thing and something she will remember. The bike was pink, the girl was eight years old and the bell rang as she wobbled the handlebars the wrong way and bumped the new tires down the kerb and onto the road. It was her fault. See how a sentence can thicken into scene, a story into a memory? It wasn’t Rose’s fault. No, it was the girl’s, the one with lilac ribbons in her hair and white ankle socks. Bare calves speckled with mud from riding her bike through the puddles.

It was her fault he didn’t have his van that day. The scrape had to be mended. He was wary of rust. He had used his wife’s car to get to work. One bike, no van, one car. Car. Which meant they couldn’t go to the top of the multi-story car-park and withdraw into the van’s dark, grease-smelling privacy. He’d tried, but she’d shaken her head. No way, in the car. So he’d suggested a walk in the woods. And she’d taken her sandwiches from her locker and met him half way down the footpath where the trees started to clot against the light. Because there wasn’t a van (because of the girl, because of the bike, because of the kerb and the bell and the lilac hair-ribbon) they’d stepped off the path and into the undergrowth, finding a spot amongst the wild-garlic and the fireweed, brushing the leaf-mould away and lying down. And he’d kissed her open mouth and they’d begun.

All that dicking about with tenses. I’m tense about those tenses (BOOM). I am not so sure of the voice in this. I mainly stick to first person but I am trying to get intimate with third. The narrator sounds like a character all of her own. They always are, even thirds. I haven’t decided how this narrator will be yet.

I never quite understand what third person narrators have to do with the story they are telling. Not to do as in doing something, but do, as in, how they relate to. Although I am not sure how she is to do it either. She has to have a reason to tell it. It is easier to figure out when there is an ‘I’.

This is an ‘I’ that never says ‘I’ and is writing about someone else. A God voice. Telepathic. But not neutral either. She selects, and has opinions, and wants to colour your opinion. I think she’s wrong about some things too.

I need to practice more. I need to watch writers on you-tube and copy them. It is all right that I don’t know what I am doing. When I am grey, I might. I hate young people who have opinions and seem to know what they are doing. What are the rest of the years for?

Anyway, I’m not sure what I am doing with this but I know what happens next.


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